Albums available September 2
Packaging to include new liner notes by R.E.M.’s Mike Mills
Stax Records will reissue two seminal albums by one of the most influential bands of the 20th century: #1 Record and Radio City by Big Star. Both releases, which have been out of print as individual CDs in the U.S. for many years, will be remastered from the original analog tape sources, and are due out September 2, 2014.
#1 Record and Radio City will be available digitally in standard, Mastered-for-iTunes and 24-bit high-resolution audio. LPs of the two albums are presently in print, available via Stax Records. Liner notes by R.E.M.’s Mike Mills (a vocal fan of Big Star, as well as a core musician on the “Big Star’s Third” concert series) will accompany the releases.
Big Star, considered to be among the founders of power pop, has been cited as an influence by many of the major alternative bands of the ’80s and ’90s, and continues to be a powerful presence in today’s musical landscape. Artists such as R.E.M., Teenage Fanclub, The Replacements (who famously penned the song “Alex Chilton”) and Wilco all enthusiastically tout the artistic impact of the group. Mike Mills recalls Big Star as “a band who had gotten it right, who made records that sounded like rock and roll bands should sound. A band who wrote all the songs, from flat-out rockers to achingly beautiful ballads that were still somehow rock songs.”
The Memphis band formed in 1971, with a lineup of singer/songwriters Alex Chilton and Chris Bell, drummer Jody Stephens and bassist Andy Hummel. Heavily inspired by the British Invasion, Chilton and Bell drew on the Lennon/McCartney style of collaborative songwriting to create their debut — Chilton taking a visceral approach, often laying down guitar and vocal tracks in one take, while Bell added polish with overdubs and harmonies. Ardent Records founder John Fry engineered the album in his studio and released #1 Record on his Stax-distributed label in 1972 to sweeping critical success.
In the fall of 1973, following the departure of Chris Bell, the band regrouped and began work on album number two with Alex Chilton at the helm and Fry once again behind the console. Losing the creative input of a major talent such as Bell could have wreaked havoc on the band’s progress, however, Chilton was able to use this opportunity to shine, and prove himself to be an incredible songwriter on his own. Journalists and fans agreed: bearing another tongue-in-cheek title, Radio City garnered rave reviews and produced several cult favorites, including “September Gurls,” which has been covered by everyone from The Bangles to Superdrag.
The legacies of #1 Record and Radio City have far exceeded the original commercial letdowns of both albums, which are now considered to be milestones in the history of rock by critics and musicians alike. The two LPs made it onto Rolling Stone’s 500 “Greatest Albums of All Time” lists, while tracks from each album (“Thirteen” and “September Gurls”) are also among the magazine’s 500 “Greatest Songs of All Time.” Numerous artists (Elliott Smith, Beck and Jeff Buckley to name a few) have recorded covers of the band’s songs. Big Star has been honored with a tribute record (Big Star Small World, 2006), a documentary (2012’s Nothing Can Hurt Me) and a touring live show, “Big Star’s Third,” which features the sole-surviving original member of the band, Jody Stephens, on drums, guest vocalists, a chamber orchestra and a core band including Mike Mills, Chris Stamey of The dB’s, The Posies’ Ken Stringfellow and others. The ever-changing ensemble performs Big Star’s album Third/Sister Lovers, as well as favorites from the first two records.
Of the reissues, Stephens says, “Very glad to see these two coming out with the sonic approval of John Fry. Grateful for Chris, Andy and Alex and for Jon and Ken. The music’s journey continues.”
Fry adds, “All I can say is that these were the best projects I have ever worked, with the best artists and friends I have ever had the pleasure to know. I love the music and the cast of characters: Chris, Alex Andy and Jody. I think fans will be pleased by the sound and the packaging. They may have to turn the volume up a bit, since we did not want to remove the analog dynamic range. Sit back and enjoy the definitive digital versions of #1 Record and Radio City, two of my three favorite albums.”
The band’s enduring legacy can be attributed to many factors, but perhaps Mike Mills summarizes it best: “Songwriting has always been, for me, the most vital gauge of a band’s quality, and these guys were clearly masters … [Big Star] gave you something satisfying to listen to, no matter how many times you heard them.”
Album Track Listings:
1. Feel 3:34
2. The Ballad of El Goodo 4:21
3. In the Street 2:55
4. Thirteen 2:34
5. Don’t Lie to Me 3:07
6. The India Song 2:20
7. When My Baby’s Beside Me 3:23
8. My Life Is Right 3:08
9. Give Me Another Chance 3:27
10. Try Again 3:31
11. Watch the Sunrise 3:45
12. ST100/6 0:57
1. O My Soul 5:40
2. Life Is White 3:19
3. Way Out West 2:50
4. What’s Going Ahn 2:40
5. You Get What You Deserve 3:08
6. Mod Lang 2:45
7. Back of a Car 2:46
8. Daisy Glaze 3:49
9. She’s a Mover 3:12
10. September Gurls 2:49
11. Morpha Too 1:28
12. I’m in Love With a Girl 1:48
Artists talk about the influence of Big Star:
“To me, the power and purity of #1 Record and Radio City are undeniable. From the first moment we heard these records we felt compelled to spread the word about them as far and wide as possible. The fact that we eventually became a part of keeping this music alive by performing with the reformed Big Star still fills me with a sense of pride, that this music is constantly being rediscovered and more known with every passing year. There’s a reason for that: it deserves it.” —Jon Auer of the Posies, who doubled as a member of Big Star with Chilton, Stephens and Ken Stringfellow for 17 years and continues to perform the Big Star 3rd concerts
“For me, Big Star’s music is not only superb listening, it’s a litmus test for the human spirit. That this music’s appeal and notoriety has grown over the years is certainly related to its undeniably high level of quality; yet … it almost didn’t get heard. And here’s where it gets interesting. The fact you are listening to this now is due to the actions of a kind of underground railroad of listeners who just wouldn’t take the music industry’s incompetence as the final say on this music. It had to be shared, painstakingly copied to cassette, passed on with love. And by this hand-to-hand action, Big Star was elevated into the canon. Barely. Enjoy.” —Ken Stringfellow, The Posies and 17-year member of Big Star, performer on Big Star’s 3rd shows.
“Big Star’s records as instantly changing the landscape, redefining with every listen what it could mean to be a Southern rock musician. They were like beacons in the distance, beckoning, pulling us all in, one by one. . . . At a time when rock music was for the most part all bluster and lies, they shocked by trying to be straightforward, honest, and truthful.” — Chris Stamey of The dB’s, who produced some Chilton recordings in the ‘70s and has performed in the 3rd shows
“The one-two punch of #1 Record and Radio City knocked me out as an impressionable Southern teen musician in the 1970s, and it still does. Much as I love Big Star’s 3rd, it really was the first two albums’ sheen and shimmer that confirmed in me that there might be a melodic pop-rock world for me and my guitar-playing friends to inhabit in my future.” —Peter Holsapple of The dB’s
Big Star’s Third Forthcoming Tour Dates:
August 22 CARRBORO, NC Cat’s Cradle
August 23: WASHINGTON, DC 9:30 Club
August 31: SEATTLE, WA Bumbershoot Festival
September 27: LOS ANGELES, CA Wilshire Ebell Theatre (Benefit for The Wild Honey Foundation)
For more information on Big Star’s Third, please visit bigstarthird.com